How To Play The C Minor Scale On The Trombone If you are using 2, 1, or 0 valves, blow through the resistance changes and see if you can get the tones to line up on every note.
The first four notes are a fantastic way to practise using the valves on a bass trombone. For instance, “T3.5” indicates that the slide will be played at a position between the typical third and fourth to identify these notes, you should explore, and utilise both a tuner and, more importantly, your hearing. Because of the trombone’s design, when the valve is depressed, fewer playing options are available than when the horn is open.įor the sake of clarity, I have only indicated slide positions with respect to the non-valved, standard Bb trombone. Scales are an integral element of musical education, even if they give many children problems. How To Play The Db Major Scale On The Trombone Adjustments to the slide are required to flatten the 6th harmonic’s sharp notes.Įven if you play with a valve, it will help your sliding flexibility and accuracy if you practise this scale with the Fs and Cs at the 6th position. Since the high F is the 6th harmonic, it will require a small flattening (sliding it further out). There are scale patterns in every style of music, and mastering them will help you play better in any genre. How To Play The F Major Scale On The Trombone If you want to be flexible in your musical choices, learn to play the bottom D in either position. It may seem challenging for a bass trombonist to achieve a consistent tone throughout the lowest five notes when playing the C major scale. But tenor trombonists need to work on their low notes because they are featured in excerpts by composers like Mahler. The low C on most tenor trombones is located near the end of the slide and may require lipping down. How To Play The C Major Scale On The Trombone Playing this scale with the Bs in the seventh position is a great way to hone your slide technique, whether or not you play with a valve. The goal is a smooth, even tone of voice. Trust your chops and blow through the partials confidently, but be careful not to push too hard and create a lumpy sound, as the transition from the D to the high A may seem a little off at first. You can perfect your intonation by practising with a tuner or a drone to understand where to position your slides. A sharpened third position is required to play the high G#.
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